Discovering Lorrie Moore

Lorrie MooreI don’t think I should know everything. But sometimes I’m surprised, and humbled, by the gaping holes in my general knowledge. I have a treasure chest of facts about the human body, European cities, Madonna’s early works, winds of the world including Queensland cyclones of the 1970s, and dogs. Some dogs. But until this year I hadn’t read The Bell Jar (yes, I’d heard of it, but didn’t know first-hand how good it is), needed Harper’s to tell me about Pamela Fox and the Banff Centre to alert me to Margaret Laurence. I love to read. How could I not know these important things? Seriously. I buy Vanity Fair, The New Yorker, The New York Review of Books. I talk to people.

My latest discovery is American author Lorrie Moore. This week I finished reading Anagrams and I can’t recall the last time I enjoyed a book this much. Moore is smart, witty, and she rolls words around like they’re beads in a kaleidoscope. She does insanely clever things with structure and rhythm. I thought I’d discovered a fresh new talent but Moore has been writing for 35 years. She’s published three books of short stories, four novels, and a children’s book. She’s won awards. Her writing has been published in many magazines, among them The New Yorker and The New York Review of Books.

I know excerpts don’t always sing when they’re printed out of context but I think this is a wonderful piece of writing, and I hope it inspires you to read the whole book. This is from the section titled ‘Yard Sale’ in Anagrams:

‘Sure I’ll take a check,’ Eleanor says. ‘Are you kidding?’ Miraculously, someone is buying Thoroughly Modern Millie. A man with a swollen belly and a checkbook but no shirt. The hair on his chest is like Gerard’s: a land very different from his face, something exotic and borrowed, as if for Halloween. He picks up the wine decanter. It’s ugly, a hopeful gift, expensive and wrong, from my lonely and overweight brother. ‘You can have it for a dollar,’ I say. Once I found a fairly new book of poems in a used bookstore, and on the inside cover someone had written, ‘For Sandra, the only woman I’ve ever loved.’ I blushed. I blushed for the bitch Sandra. Betrayals, even your own, can take you by surprise.

The photograph was taken by Linda Nylind.

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Banff. Cal. Van. Syd. Melb

Bow River, BanffI arrived home in Melbourne yesterday afternoon. The heading is my itinerary, but a list of pit stops can only tell so much. It doesn’t say the 25-hour commute from Canada to Australia was better and worse than the trip there. Worse because I was aware, with still-fresh clarity, of what was about to hit me – and to the body it is an assault. Better because I was coming home to my family, and the trip had been perfect. Flawless, I say when my parents phone, as if I’d anticipated flaws. It does surprise me that, aside from the flying part, nothing went wrong in over a fortnight. Not one thing. The mountains won my undying adoration afresh every day, as did the staff, the other writers, the river, the deer. All things of wonder.

Coming home, I travelled by bus from Banff to Calgary Airport with two women from my writing course. I sat beside a window that squeaked like a rodent. I asked if they could hear the noise from their seats. The sun hit my eyes. Somehow they both knew to sit on the other side of the aisle. I moved, rearranged my bag, laptop, puffy jacket, then moved again. I worried their last impression of me would be that I am a fidget.

At Calgary airport, my suitcase was over the weight limit.

‘Take something out that weighs five kilograms,’ the check-in woman told me, looking past my head at the queue. ‘Something small and heavy. Put it in your carry-on bag.’

I tried to think about what might be small and heavy. ‘My pillow?’

She stared at me. ‘Pillows aren’t heavy.’

‘Mine is.’

‘Small and heavy,’ she said.

I was terrified to open my suitcase for fear I wouldn’t be able to close it again, no matter what I removed. It was so full the seams were in danger of ripping. I put my latex pillow, a bag of makeup, my manuscript and a book on the scale.

‘Liquids,’ she said.

I put the makeup bag back in the suitcase then sat on it to close it, struggling with the zip and making certain not to look at the people waiting in the queue. I thought about the insanity of moving things from one bag to another while still bringing the same amount of weight onto the plane. I didn’t tell the check-in woman I was thinking this.

My two writing friends waited patiently for me on the other side, watching. I apologised repeatedly. We said goodbye. They headed to the other side of Canada. I headed to the lounge. I had eight and a half hours of sitting and fussing and flying ahead of me before I even left the country.

Which brings me to airports. I understand why people dislike the design term ‘way finding’ but in airports it makes sense. I tried to find my way. In Vancouver the signs were helpful, expressive and clear. The staff who guided travellers through the labyrinth were chatty and upbeat. In Sydney the few signs on offer were short, arrogant and knowing. The staff, cool.

Or snappy. The first words I heard when I disembarked in Australia were from a flight attendant admonishing a passenger as I walked past them. ‘You were called to the desk. Everyone’s been waiting for you.’ I didn’t stop, but hoped the elderly woman who’d sat across the aisle from me Vancouver to Sydney explained to the snippy hostess that our plane had circled above the airport for an hour, waiting for permission to land. She couldn’t possibly have heard her name called down below. They shouldn’t have been calling her name at all.

As I walked from one Sydney terminal to another, I noticed there were no clocks. There were clocks in Canada. Surely telling people the time in an airport, when time is so relevant, wouldn’t be giving in too much?

I was irrationally annoyed at leaving a beautiful place for a series of loud, crowded, harshly lit buildings where I knew no-one. I was cross that I’d packed my watch, that my carry-on bag weighed a tonne, that this was how people are moved across the world. I thought about cattle being shipped in crowded crates from Australia to Indonesia. I thought about crowded refugee boats crossing the paths of those ships on their way to rejection in Australia. I watched people starving in Somalia on an airport television as loudspeakers announced our flight would be slightly delayed. I thought about the fact my dog is getting fat because we feed him too much. The large and small of the world swam around my sleep-deprived brain.

My time in Banff was flawless. I wrote. I listened. I walked by a wide, crystal-clear, gurgling river that lived the words poetry in motion. I saw mountains that changed colour and mood daily. I breathed cold alpine air. I met lovely, smart, warm people. I came home to lovely, smart, warm people.

Every time I travel, no matter how long the journey, I say three words repeatedly, and I know them to be the truth: happy and lucky and blessed.

Happy. Lucky. Blessed.

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Twenty-Five Women and CARE

Twenty-five women said yes when I asked them to contribute to Open Field, the iPad publication my partner Dave and I are making for the international charity CARE. Since we had no affiliation with CARE until this time, and this is the first attempt at an object we’ve never made before, and I was a stranger to most of the women I wrote to, I think this is a remarkable leap of faith on their part.

I’m not suggesting the contributors have done anything foolhardy by saying yes. I’ve treated every word and image with due respect, asked for approval for all of my edits, and will show everyone their work once it’s laid out on the page. But these are busy women, most of whom create for a living. So to contribute time and skill for nix is an act of great generosity.

Open Field is now in the hands of our designer, except for three pieces I’m wrapping my mind around. It’s a slightly trickier task than we’d anticipated to design this publication and make it functional (go figure) so it will be published later than we’d anticipated.

Still, we’re excited. Every cent we raise (after iTunes takes their non-negotiable cut) will go to CARE to help women in developing countries. Prior to launch I wanted to let you know who some of these amazing women are, to whet your appetite.

As soon as Open Field is published it will be announced here, on the CARE website, and everywhere else we can manage!

Contributors to Open Field, Issue One, include:

Fatima Bhutto, writer, Pakistan

Liza Donnelly, cartoonist, US

Dr Anne Summers, writer, Australia

Joanna Hershon, writer, US

Louise Weaver, artist, Australia

Sally Seltmann, musician, Australia

Alice Garner, actor/musician/writer/academic, Australia

Nahji Chu, restaurateur, Australia

Wajma Mohseni, Moby Group Marketing Director, Afghanistan

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Medieval tech support

Book humour care of the Banff Centre’s technical advisor.

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Day One in Banff

Bow River, BanffIt takes a while for your mind to calm, settle and regain focus after a long flight. The body recovers before the head does, and I don’t think it’s just the lack of sleep (I stayed awake throughout my 25-hour commute from Melbourne to Banff) or the dry, dirty air on the plane or sitting in a narrow seat staring at a screen for hours on end. Those things are all self-inflicted torture, the results of which are predictable. Every part of my body was hurting and swollen when I arrived at Banff, from my eyes to my knees. But after a night’s sleep, a hot shower and a few hours of walking, my body felt normal.

I waited for my mind to catch up. I knew it would eventually. When I set out this morning to walk into town, which is about ten minutes from the Banff Centre, I found a path off the road that led down to a river. I should have clocked there was a river, since the man at the Centre’s information desk told me to cross a bridge into town, but I was surprised to see it, and thrilled. I walked along the narrow dirt track, high above a river with clear, fast-flowing water, away from the town, because it looked so beautiful I wanted to explore a while. I stopped repeatedly to look around me, in front of me, down at the river, across at a forest of pine, spruce and fir trees. The sky was cloudless and the air smelled thin and crisp. I walked and walked, dazed.

Somewhere along the walk I decided that quiet music might be good company. My oldest son had added some music to my iPod, housed in a folder called Chilled, As In Cold. It was a combination of songs he had on his own iPod in folders more lyrically titled Chillaxed and Chilligan’s Island. The first song was called The River. It couldn’t have been more perfectly perfect.

When the track sat at the same level as the river, not far away from the Bow River Bridge, I walked to the edge and put my hand in the icy water. Across the top of Vetiver, I heard the rush of the water. I heard a bird trill. I heard a woman on the path behind me call out in French to a little girl who was trailing behind her. They were both wearing fleecy sweatshirts and woollen beanies. I let the water keep rushing across the top of my hand. And right then, my mind and body rejoined one another. When I stood up, my dizziness was gone and I looked around me as though a gauzy veil had been lifted from my face.

Canada.

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Three Police and a Birthday

I heard the word ‘police’ three times on my birthday this year. I thought I was done with that.

The first mention was my fault. A colleague asked me what I’d done for my previous birthday after I mumbled something about this one being an improvement. I replied that last year I’d spent the morning in a police station in Barcelona, the afternoon in a castle, and the early evening at the airport, moving from one snaking line to another with hundreds of other people stranded by industrial strikes. Dave and I and our two boys, Liam and Milo, were at Barcelona Airport for five hours that night, begging to be put on any flight out of Europe, preferably the same one.

The airport was crowded with people who’d lost all notion of being part of a community. They were fighting for themselves and their families. Liam and Milo showed more grace, goodwill and fortitude than most of the adults around them. By nine o’clock they’d had nothing to eat since we couldn’t leave the queues. When we finally did take a break to get them some food, Liam made a cardboard frog from a drink coaster. Milo giggled and found joy in eating junky food from a small container. We were put on a flight to Hong Kong leaving the next morning.

We ate my birthday dinner at a Barcelona airport hotel at around ten-thirty at night. I don’t eat meat so they struggled to find any food for me. From memory, I ate salad.

I recall that I’d waited for self-pity to show up, like an unwelcome but inevitable guest. Turned out, I didn’t feel sorry for myself at all. I think I felt someone should, so I did mention at several key moments that it was my birthday. There was too much peripheral noise and action for it to register though. And whenever it did, there was a distraction – a surly airline worker, other people’s conversations, a purple hotel chair. Our flight debacle came at the end of a few weeks’ travel, some of which had been fraught, all overwhelming, so perhaps we were full and could feel no more.

I had cried at the Las Ramblas police station in the morning, partly because I’d braced myself to come face to face with a typical Spanish cop, someone tough, burly, corrupt and jaded. Someone swarthy who’d call me a liar and a fool and shame me in front of my children. These police meet a lot of dumb tourists who’ve been robbed. I knew that must be tiresome. The policeman we met wasn’t like this at all. He was charming.

I told him I’d been robbed. I hadn’t. My two beautiful rings had not been taken from a cafe table as I’d looked the other way while applying sunscreen. They had slipped from the lap of my sundress as I stood up on a beach in Sitges. I was tired, and my partner and I were punch drunk from a dreadful argument, and I could barely walk without fear my knees would buckle beneath me. This, of course, passed. But that afternoon my rings dropped onto the sand, then we packed up and left, ate a lunch that was greasy and flyblown but allowed us to meet an intriguing American couple who had fled to Europe to escape dramas back home, explored the narrow stone streets, and caught the train back to our Eixample apartment. By the time I realised my rings were gone, we’d left Sitges far behind.

The policeman was enormously sympathetic. He was slender and neat and graceful. He held my hand and told me I would need to grieve for my lost belongings. He showed us a keychain he’d bought from Tiffany’s when he visited New York and said he would be devastated if something were to happen to it. He leaned across the desk, locked his brown eyes on mine and said it was good I was crying, it was healthy, and that he worried terribly about people who held themselves so tightly they could not release their pain. He asked Dave several times if he was sure about the amount he’d nominated as the value of the rings. He seemed to think it was not enough. I loved him for that.

The second time I heard ‘police’ was when a colleague asked if I’d called 000 lately. He and I had done that inadvertently when I asked for his help sending a fax through our monstrously complicated photocopy machine. This machine can do all sorts of things but is reluctant to. It exudes arrogance, and I was in too much of a rush to try and win its favours so I asked the highly skilled head of our IT team to help me. He has a better relationship with machines than I do but dislikes faxes and pressed the 0 button enough times in frustration that rather than sending a fax we called the police. We both found this riotously funny, even a week later.

The third time I heard the word ‘police’ was on my car radio. I was driving home from work in the dark in thumping, heavy rain. Lighting split the sky repeatedly. The roads were crowded and the red, white and yellow car lights  sparkled like stars in the wet. There was a story on the news about how a woman had killed her two-year-old son that day. She has accidentally put her foot on the accelerator rather than the brake and slammed into the veranda of the family home where he son was sitting with his grandfather, awaiting her return from her outing. I turned the radio off partway through the coverage of the story and drove home in silence.

Stand up and put your hand in front of your eyes to shield yourself from the Mediterranean sun. Push the wrong button. Put your foot down on the wrong pedal. Become one day older. Life is small moments of enormous import.

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Writing Without Vipers

Fourteen days until I fly to Canada to begin a two-week writing course in Banff and I’ve done no work on my manuscript in months. None. This troubles me enormously but I can only see scraps of time between today and when I get on the plane. Scraps like now, when I have one hour before I need to leave the house for a doctor’s appointment, child collection from school, farewell other child as he heads to camp, and make dinner and on. That’s no way to work on a novel, a minute here, a minute there. So it seems that the time I am in Banff will be the time I begin again on this neglected project. I’d hoped to arrive with something shinier, polished, fresh in my mind, but it’s not to be. No matter how much I try to tidy and control life it mostly does as it chooses.

But strange things happen. Last night I was reading a book so sweet and easy and happy I could barely finish a single page for boredom. I dropped it on the floor without even bothering to mark my page, knowing I’d never come back to it, and picked up the next book on the pile, a book I’d bought only because it’s a classic and I feel I should have read it by now. I don’t like the cover, and the type is tiny. But I needed to have a few more pages in my head so I could sleep, so I began.

I won’t tell you the name of the book because it’s idiotic that I haven’t read it. I’m sure I’m the only woman in the Western World who hasn’t. The thing is, it made my heart race. After a few paragraphs – not even one whole page – I couldn’t lie down. I sat up, my breath became shallow and quick, and I felt my eyes widen.

Maybe the writing thrilled me because what had come before it was so pedestrian. Maybe. But I suspect it would have made me feel the same way regardless of its predecessor. I heard the voice instantly. I knew what era it was immediately. And because the voice was clear and without guile I just knew this woman would find herself in trouble.

‘It was a queer, sultry summer they electrocuted the Rosenbergs, and I didn’t know what I was doing in New York.’

So when I did finally sleep, I felt excited about the idea of sitting down and trying to write something even a tenth as poetic and strong and enticing. I can’t write like this, of course, but the joy in trying suddenly came back to me, the point of it, the intensity of it.

Then, in the morning, when I had a small window in which to do other work, I came upon an interview with a writer called Paula Fox. Again, it’s idiotic that I haven’t heard of her until now. She’s eighty-eight and has written scads of adult novels and children’s books. Her work was largely forgotten and out of print until 1996, when Jonathan Franzen wrote an article about Fox in Harpers‘ and she was ‘rediscovered’. Fifteen years later, I read her words in Paris Review, and am inspired afresh for entirely different reasons.

Fox had an appalling start in life. She was rejected, neglected, directionless, without confidence or carer. She knew from a young age, however, that she wanted to write and had a particular talent with words. Life didn’t allow her much opportunity to act on this, but she did the best she could. She describes spending time abroad and the wonder of being able to write: ‘My husband and I went to Greece with our two children. We spent six months there and it was the first uninterrupted time I’d had in forty years. I was deliriously happy. I didn’t have to do anything except cook dinner, and worry about vipers.’

I’ve ordered two of her novels to take with me to Banff, as companions. I won’t cook a single meal, and I will not be worried about vipers. So while I’m away I have no excuse but to work as hard and deep and well as I can.

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