Time and Place

Today, on the ten-year anniversary of the 9/11 attacks, I had the same choice every other Western person did. Pay heed or ignore. I decided to listen to what was being said about 9/11 since it seems to me this moment is historically significant, regardless of one’s political or religious leanings, or thoughts on the daily suffering of those who live in Africa, the Middle East and Asia. A large thing happened in New York, people died, then more people died. Also, two buildings collapsed, slumping to the ground the way a human does when shot.

Rather than rehash all I read and heard, suffice to say much of it was moving. I heard almost no drum-beating this year, no arguments saying how well war had been working, and nothing hateful. I heard sad stories, gentle reflections, and people tired of grieving. I heard a long interview with a fireman who’d been trapped on the fourth floor of the second tower when it fell. He was a humble, understated man, and a good storyteller in a way that seems to come so naturally to Americans. He stood in a stairwell with his team and the building shuddered and broke around them, he clawed his way out of the wreckage, he breathed air thick with pulverised construction materials and human remains. He has lung cancer.

I disagree with a woman who said to me yesterday, ‘I’m opting out until the twelfth. There’s nothing new to be said.’ Following her logic, I guess there’s nothing new to be said about the Holocaust, which isĀ  bad news for Hollywood. But I think there’s a different something to be said when an event becomes older and we try to understand it with some distance. I wouldn’t suggest it’s healthy to dwell on the past every day – and I think the people who lived through 9/11 actively try not to do this – but there is much to be learned from the past.

During the day I read about another set of twins, a pair of homes in a field in upstate New York. They bear no physical resemblance to the twin towers other than the fact that they have been designed to ‘speak’ to one another and both remind me of the minimalist stick cum rod thrown in 2001: A Space Odyssey. These twins are beautiful in their strength, clean lines and unapologetic blackness. They aren’t trying to fit in with the surrounding woody forest any more than the towers tried to with the pygmy buildings around them, but in both cases the boldness of the buildings simply works.

Looking at the twins in the forest is calming. They are a work of intelligence, skill, and, I’m guessing, many hours spent staring out a window or at a blank piece of paper. They are an act of human thoughtfulness. For me, looking at these peaceful images while listening to the fireman explain why he and his men chose to rescue a woman – one woman – rather than get themselves out of the building when they could, made the world seem astoundingly complicated. Humans can do everything good and bad. We can’t control one another, we barely understand one another, and yet we absolutely depend on getting on with one another to survive. We build things, slap them down, give birth, kill, mend and break. We dirty oceans, raze forests, cure illness, talk to one another through machines we’ve made. We corral and eat other animals. We are the power brokers of the planet.

So when one bunch of us does something stupid, like destroy buildings full of people as a show of might, rage and outrage, the rest of us should, at the very least, do our best to listen and learn. And that can take years.

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Everything and the Sun

Monday. Don’t take anything for granted.

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Fresh Air Online

I don’t think I was the only one who was surprised by Meanjin’s new website, which went up today. Literary magazines are in a bad way in Australia. There aren’t many of them, and the few that have survived are tired, dusty and fearful of change, clinging to the same old formats, topics and writers with shockingly short-sighted arrogance. This is a sad state of affairs for those of us who care about writing.

Readers no longer need to support literary magazines that don’t inspire them. Rather than wait for the local newsagent to import a three-month old copy of The New Yorker or Harper’s, we have the world at our fingertips and have rightly become more discerning and critical of second-rate local publications.

So a round of applause for Meanjin for creating such a fresh, inviting and spunky website. I even see a few names with which I’m unfamiliar, which is thrilling. I hope The Monthly – such a dull, smug and small-minded magazine – can learn from Meanjin and spread their net wider, that Quadrant realises how desperately it needs a makeover (looking like an academic journal doesn’t impress your readers; it angers and alienates them), and that other people feel inspired to consider creating their own literary magazines. I’m sure there are scores of talented writers, designers and photographers in Australia whose work I’ve never seen. I’d pay for the chance to do so.

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First Day of Spring

spring

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On Persistence

Years ago, at Queensland University, I made a friend called Kriv. He was, and remains, the nicest person you could meet. At a time when we small-city kids were trying to look like we spent our days drifting from London indie clubs to New York art events, Kriv looked decidedly old-school European. He wore stylish button-up shirts that weren’t from op shops, black-framed glasses that didn’t make him look like he was in The Proclaimers, carried a leather satchel rather than a canvas one, and he had an encyclopedic knowledge of cinema. He’d watched hundreds of films. More than that, he made films. He said he was going to be a director, and it never sounded unlikely or pretentious. We knew he was merely stating a fact: he had a dream and was going to follow it. Like I said, nicest person in the world so we all applauded and waited for it to happen.

Kriv’s never stopped making films. Some have been more commercially successful than others but I think they’re all amazingly impressive for the fact they exist as much as the technical and narrative achievements. I’m sure there have been moments of hardship, despair and frustration, but he kept going. His persistence is awe-inspiring.

This year, Kriv released his gorgeous, accomplished film Red Dog. It’s an enormous success, in every way you could possibly define that word. It’s a wonderful achievement for him, and a lesson to anyone who creates: never stop.

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McSweeney’s Columnist Competition

McSweeney’s Internet Tendency has just launched it’s third columnist competition.

This is an awesomely great opportunity that I probably won’t take (time), but maybe one of you will.

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Wired Writing

I’ve been accepted into the Banff Centre for Creativity’s Wired Writing Studio. A miracle, truly. And I can’t wait. And although I haven’t yet started the course I’m already encouraging people I respect to apply for it themselves, because the very idea of the course and the place is so wonderful.

I don’t understand why we don’t have an equivalent here. The Banff Centre, which was founded in 1933, is dedicated to supporting and developing creativity across a range of disciplines, including writing, dance, music, drama and visual arts. It’s evidently well-regarded by creative types. It’s broader and more ambitious in scope than The Wheeler Centre, as sincere and upbeat as 826 Valencia, and considerably less frumpy and self-righteous than the Varuna Writer’s Centre. I know there’s more around but not in my state.

So Dave and I have been thinking about this is something we’d like to do when we’re old…even older than we are now. We have a location in mind (with ocean views), a handful of amazing friends and colleagues who could speak/teach/lead adventures as they chose, an agenda that includes inspiring and nurturing people in fields we find interesting. Highly selective, but so far we’re thinking words, digital experiments, music, painting. No cooking classes, no holier-than-thou anything.

First, I have a book to finish.

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